I feel as though my sonic contribution to this project provides a gateway to some much-needed self-actualization, the sounds and visuals translating the integral part that nature and the psychological play in regard to our daily well-being, both sonically and physically. The mixture of naturalistic field recordings, tethering our receiver to their new visual environment, alongside the fruitful, pleasant ambience, creating that somewhat supernatural line in the sand, informing our receiver that, whilst naturalistic tendencies and climate do exist in this new world, that it is not completely conventional. This is made clear visually, because of course the world presented to them is by no means conventional, but the addition of unnatural, processed synthesis enhances this unconventionality. The receiver is clearly separate, indulging in their own experience with VR, and only bodily present. Psychologically, they are elsewhere, lured in by VR’s inherent wonder and the still unknown characteristics that it holds. My aim, as i’m sure everyone else’s was, is to wholly transport the receiver from one world to the next, seamlessly and without any hesitation or distraction. By having sonic interaction almost immediately, one is limiting the amount of distraction available, taking full advantage of the platform and commencing the experience and the immersion almost at once.